Each figurative sculpture begins as a cast from the artist’s own body, making every piece inherently autobiographical. These forms are more than anatomical studies—they are vessels of personal truth, shaped by lived experience.
Through a deeply introspective lens, the work examines and challenges societal norms, reinterpreting them with vulnerability and strength. The resulting sculptures become both mirror and map: reflecting inner landscapes while charting a course through the complexities of identity, femininity, trauma, and transformation.
What emerges is not just a figure—but a voice, a stance, a reclamation.
As both a designer and fabricator, I approach sculpture with equal attention to space, function, and budget. I believe art should be accessible—not reserved for galleries or private collections, but woven into public spaces, homes, and everyday life.
To that end, I work with readily available materials like mild steel, stainless steel, and copper, transforming them into distinctive, sustainable sculptures that are as approachable as they are expressive. These metals are not only strong and versatile—they carry a raw beauty that deepens with time.
By applying metal coatings of bronze, brass, and copper, I achieve suspended finishes that age and patina gracefully, capturing the timeless quality of cast bronze at a fraction of the cost. This process allows me to offer clients and communities affordable, long-lasting works of art that honor both craft and practicality.
Art is not a luxury—it’s a language. And my goal is to make sure everyone can speak it.
Raised in Southern Maryland amid the undercurrents of world politics, I grew up with a front-row seat to the consequences of global conflict. Conversations about war, human suffering, and its aftermath weren’t abstract—they were daily realities. These early experiences shaped my worldview and my life’s purpose: to contribute to healing through art.
Today, I am a sculptor working at the intersection of rehabilitation, environmental stewardship, and neo-feminist expression. My medium is metal, stone, and glass—materials that carry the weight of history and the potential for transformation. Through them, I create organic, figurative forms that reflect the resilience of the human spirit and the quiet, stubborn strength found in brokenness.
My practice in rehabilitative arts spans from hands-on workshops with veterans to permanent hospital installations designed to instill a sense of peace, grounding, and hope. Whether I’m guiding trauma survivors through a creative process or shaping metal into flowing lines of movement, the core of my work remains constant: restoration.
My aesthetic is raw, rugged, and intentional—avant-garde in spirit, yet rooted in deep mindfulness. I hand-cut, laser-cut, and personally assemble each piece in my 1,800-square-foot studio, nestled on 32 acres of midwestern land. The space is not just a workshop—it’s a sanctuary. I honor every resource I use, cleansing my materials with sacred smoke to realign their elemental energy after industrial processing. For me, art-making is not just a technical process; it’s a spiritual ritual that respects the earth and the legacy each sculpture will leave behind.
This philosophy extends to Art Farm Studio, my primary base in the Midwest. Open to other sculptors for extended residencies, the studio offers a nature-immersed space for creativity and collaboration.
Each piece I create is a message—a challenge to iconographic norms, a celebration of resilience, and a call to authenticity. I believe art should not only adorn a space, but elevate the consciousness within it. That belief guides every cut, every weld, and every moment I spend at the forge.
And while my work is grounded in the personal, it is meant to be shared. My sculptures ship internationally, traveling beyond borders to speak to something universal: the need to heal, to speak, and to rise.
#unlikeanywhereelse Council Bluffs, Iowa has rebranded the historic city #unleashcb; and hired ten artists to create "map pin" sculptures to be placed at tourist attractions throughout the city. Woodford was chosen as one of the first sculptors for this community campaign.
Welcome to picturesque Southwest Iowa where my main working studio is located. At Farm is a multi-disciplinary studio with community outreach programs, classes, workshops, visiting instructors, and sculpture garden.
Tangible creation and connection are vital during this virtual socialization period. This contest encourages visual arts for youth and also communication with family & friends through the voting process. ❤ Encouraging Skype, messaging, phone calls between the youth and extended family and friends will hopefully break down some of the quarantine walls.
Omaha Classic Film event at Joslyn Museum to benefit Nebraska Kidney Association. Sculpture created- artist's interpretation of iconic poster. All proceeds go to Nebraska Kidney Association. Signed by Robert Hayes.
Celebrating the heart of a community, and reconciliation. Collaborative mural installation spans eighty foot wall, and invites the community to engage with the local government and arts. Design inspired by local Hopi Native American Tribe
Omaha Classic Film event at Joslyn Museum. Collaborative sculpture created with Anne Nye to celebrate Patty Duke, and her many contributions as an activist and actress.
One man's journey across the country interviewing veterans from WWII. With an antique flag and a camera, Concannon interviews soldiers. Sculpture created exemplifying the heart of the film- to be auctioned for funding of the project.
Collaborative sculpture with 17 youth affected by T1D. Sculpture presented and auctioned at JDRF Annual Gala in Philadelphia. All proceeds donated to research.
Juvenile Diabetes Research Foundation Fundraiser Collaboration with 17 youth
Collaboration with Tiny House Productions (Christopher Spurgin) Woodford & HZ Productions (Kent Hertz) at PACE's Hoff Family Center.
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